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	<title>Arquivos Década de 1930 &#8211; Cine Grandiose</title>
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	<title>Arquivos Década de 1930 &#8211; Cine Grandiose</title>
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		<title>Of Human Bondage (Escravos do Desejo): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/06/23/of-human-bondage-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=of-human-bondage-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/06/23/of-human-bondage-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 23 Jun 2020 05:05:03 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1934]]></category>
		<category><![CDATA[60]]></category>
		<category><![CDATA[Bette Davis]]></category>
		<category><![CDATA[Frances Dee]]></category>
		<category><![CDATA[John Cromwell]]></category>
		<category><![CDATA[Kay Johnson]]></category>
		<category><![CDATA[Leslie Howard]]></category>
		<category><![CDATA[Reginald Denny]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10118</guid>

					<description><![CDATA[<p>"Of Human Bondage" merece atenção por ter lançado a carreira de Bette Davis e não muito mais que isso.</p>
<p>O post <a href="https://cinegrandiose.com/2020/06/23/of-human-bondage-analise-e-impressoes/">Of Human Bondage (Escravos do Desejo): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10118</post-id>	</item>
		<item>
		<title>Top Hat (O Picolino): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/10/08/top-hat-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=top-hat-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/10/08/top-hat-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 08 Oct 2019 05:04:22 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1935]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Edward Everett Horton]]></category>
		<category><![CDATA[Erik Rhodes]]></category>
		<category><![CDATA[Fred Astaire]]></category>
		<category><![CDATA[Ginger Rogers]]></category>
		<category><![CDATA[Mark Sandrich]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Romance]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9278</guid>

					<description><![CDATA[<p>Talvez não o melhor da dupla Rogers e Astaire, mas "Top Hat" ainda mostra qualidades o bastante para ser um bom musical.</p>
<p>O post <a href="https://cinegrandiose.com/2019/10/08/top-hat-analise-e-impressoes/">Top Hat (O Picolino): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9278</post-id>	</item>
		<item>
		<title>Dark Victory (Vitória Amarga): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/07/23/dark-victory-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dark-victory-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/07/23/dark-victory-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 23 Jul 2019 07:13:30 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1939]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Bette Davis]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Edmund Goulding]]></category>
		<category><![CDATA[George Brent]]></category>
		<category><![CDATA[Geraldine Fitzgerald]]></category>
		<category><![CDATA[Humphrey Bogart]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9011</guid>

					<description><![CDATA[<p>"Dark Victory" é um raro exemplo de filme com tradução correta, pois não há melhor adjetivo além de amarga para o que se encontra em sua história.</p>
<p>O post <a href="https://cinegrandiose.com/2019/07/23/dark-victory-analise-e-impressoes/">Dark Victory (Vitória Amarga): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9011</post-id>	</item>
		<item>
		<title>Modern Times (Tempos Modernos): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/07/01/modern-times-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=modern-times-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/07/01/modern-times-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Mon, 01 Jul 2019 03:27:49 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1936]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Charles Chaplin]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Paulette Goddard]]></category>
		<category><![CDATA[Tiny Sandford]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8928</guid>

					<description><![CDATA[<p>"Modern Times" não é o melhor de Charlie Chaplin, mas ainda assim é uma experiência bastante divertida.</p>
<p>O post <a href="https://cinegrandiose.com/2019/07/01/modern-times-analise-e-impressoes/">Modern Times (Tempos Modernos): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8928</post-id>	</item>
		<item>
		<title>Lost Horizon (Horizonte Perdido): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/02/27/lost-horizon-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lost-horizon-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/02/27/lost-horizon-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 27 Feb 2019 16:53:39 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1937]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Aventura]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Edward Everett Horton]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Frank Capra]]></category>
		<category><![CDATA[Jane Wyatt]]></category>
		<category><![CDATA[John Howard]]></category>
		<category><![CDATA[Ronald Colman]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8487</guid>

					<description><![CDATA[<p>A primeira e competente adaptação do conto de Shangri-La para o cinema.</p>
<p>O post <a href="https://cinegrandiose.com/2019/02/27/lost-horizon-analise-e-impressoes/">Lost Horizon (Horizonte Perdido): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8487</post-id>	</item>
		<item>
		<title>Grand Hotel (Grande Hotel): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/02/21/grand-hotel-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=grand-hotel-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/02/21/grand-hotel-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 21 Feb 2019 05:09:34 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1932]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Edmund Goulding]]></category>
		<category><![CDATA[Greta Garbo]]></category>
		<category><![CDATA[Joan Crawford]]></category>
		<category><![CDATA[John Barrymore]]></category>
		<category><![CDATA[Lionel Barrymore]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Wallace Beery]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8463</guid>

					<description><![CDATA[<p>Um competente vencedor do Oscar de Melhor Filme do começo dos Anos 30.</p>
<p>O post <a href="https://cinegrandiose.com/2019/02/21/grand-hotel-analise-e-impressoes/">Grand Hotel (Grande Hotel): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8463</post-id>	</item>
		<item>
		<title>The Public Enemy (Inimigo Público): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/02/20/the-public-enemy-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-public-enemy-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/02/20/the-public-enemy-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 20 Feb 2019 23:16:51 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1931]]></category>
		<category><![CDATA[55]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Donald Cook]]></category>
		<category><![CDATA[Edward Woods]]></category>
		<category><![CDATA[Gângster]]></category>
		<category><![CDATA[James Cagney]]></category>
		<category><![CDATA[Jean Harlow]]></category>
		<category><![CDATA[Mae Clarke]]></category>
		<category><![CDATA[William A. Wellman]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8453</guid>

					<description><![CDATA[<p>Fraco em vários sentidos e decepcionante, considerando sua reputação.</p>
<p>O post <a href="https://cinegrandiose.com/2019/02/20/the-public-enemy-analise-e-impressoes/">The Public Enemy (Inimigo Público): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8453</post-id>	</item>
		<item>
		<title>Swing Time (Ritmo Louco): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/02/17/swing-time-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=swing-time-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/02/17/swing-time-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 17 Feb 2019 20:21:33 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1936]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Fred Astaire]]></category>
		<category><![CDATA[George Stevens]]></category>
		<category><![CDATA[Ginger Rogers]]></category>
		<category><![CDATA[Helen Broderick]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Victor Moore]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8436</guid>

					<description><![CDATA[<p>A virtuosidade e proficiência de dois dos maiores dançarinos de todos os tempos em um filme igualmente incrível.</p>
<p>O post <a href="https://cinegrandiose.com/2019/02/17/swing-time-analise-e-impressoes/">Swing Time (Ritmo Louco): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8436</post-id>	</item>
		<item>
		<title>A Star Is Born (Nasce uma Estrela): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2018/10/06/a-star-is-born-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-star-is-born-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2018/10/06/a-star-is-born-analise-e-impressoes/#comments</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 06 Oct 2018 04:25:37 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1937]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Adolphe Menjou]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Fredric March]]></category>
		<category><![CDATA[Jack Conway]]></category>
		<category><![CDATA[Janet Gaynor]]></category>
		<category><![CDATA[Lionel Stander]]></category>
		<category><![CDATA[William A. Wellman]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=7803</guid>

					<description><![CDATA[<p>A origem hollywoodiana de uma história com várias versões nas décadas seguintes.</p>
<p>O post <a href="https://cinegrandiose.com/2018/10/06/a-star-is-born-analise-e-impressoes/">A Star Is Born (Nasce uma Estrela): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">7803</post-id>	</item>
		<item>
		<title>Jezebel: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2018/09/22/jezebel-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jezebel-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2018/09/22/jezebel-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 22 Sep 2018 04:02:17 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1930]]></category>
		<category><![CDATA[1938]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Bette Davis]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[George Brent]]></category>
		<category><![CDATA[Henry Fonda]]></category>
		<category><![CDATA[Margaret Lindsay]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[William Wyler]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=7728</guid>

					<description><![CDATA[<p>Um grande veículo para Bette Davis que seria muito beneficiado por uma história mais profunda.</p>
<p>O post <a href="https://cinegrandiose.com/2018/09/22/jezebel-analise-e-impressoes/">Jezebel: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">7728</post-id>	</item>
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