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	<title>Arquivos Década de 1920 &#8211; Cine Grandiose</title>
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	<title>Arquivos Década de 1920 &#8211; Cine Grandiose</title>
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		<title>The Jazz Singer (O Cantor de Jazz): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/02/24/the-jazz-singer-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-jazz-singer-analise-e-impressoes</link>
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		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Mon, 25 Feb 2019 01:22:34 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1927]]></category>
		<category><![CDATA[55]]></category>
		<category><![CDATA[Al Jolson]]></category>
		<category><![CDATA[Alan Crosland]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Eugenie Besserer]]></category>
		<category><![CDATA[May McAvoy]]></category>
		<category><![CDATA[Música]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Otto Lederer]]></category>
		<category><![CDATA[Warner Oland]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8469</guid>

					<description><![CDATA[<p>O primeiro longa-metragem falado da história e não mais do que isso.</p>
<p>O post <a href="https://cinegrandiose.com/2019/02/24/the-jazz-singer-analise-e-impressoes/">The Jazz Singer (O Cantor de Jazz): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8469</post-id>	</item>
		<item>
		<title>Das Cabinet des Dr. Caligari (O Gabinete do Dr. Caligari): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/08/17/das-cabinet-des-dr-caligari-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=das-cabinet-des-dr-caligari-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/08/17/das-cabinet-des-dr-caligari-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 17 Aug 2017 05:19:07 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1920]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Conrad Veidt]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Friedrich Feher]]></category>
		<category><![CDATA[Robert Wiene]]></category>
		<category><![CDATA[Terror]]></category>
		<category><![CDATA[Werner Krauss]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=6036</guid>

					<description><![CDATA[<p>Um dos primeiros filmes do Expressionismo Alemão e um dos mais característicos.</p>
<p>O post <a href="https://cinegrandiose.com/2017/08/17/das-cabinet-des-dr-caligari-analise-e-impressoes/">Das Cabinet des Dr. Caligari (O Gabinete do Dr. Caligari): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">6036</post-id>	</item>
		<item>
		<title>Der Gang in die Nacht (Caminhada Noite Adentro): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/06/17/der-gang-die-nacht-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=der-gang-die-nacht-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/06/17/der-gang-die-nacht-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 17 Jun 2017 21:57:21 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1921]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Conrad Veidt]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Erna Morena]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Olaf Fønss]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=5776</guid>

					<description><![CDATA[<p>Um bom exemplo de quando exageros funcionam bem em contextos apropriados.</p>
<p>O post <a href="https://cinegrandiose.com/2017/06/17/der-gang-die-nacht-analise-e-impressoes/">Der Gang in die Nacht (Caminhada Noite Adentro): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">5776</post-id>	</item>
		<item>
		<title>Herr Tartüff (Tartufo): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/06/17/herr-tartuff-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=herr-tartuff-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/06/17/herr-tartuff-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 17 Jun 2017 04:50:49 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1925]]></category>
		<category><![CDATA[60]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Emil Jannings]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Lil Dagover]]></category>
		<category><![CDATA[Rosa Valetti]]></category>
		<category><![CDATA[Werner Krauss]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=5769</guid>

					<description><![CDATA[<p>Um dos esforços mais mornos de Murnau, sem dúvida.</p>
<p>O post <a href="https://cinegrandiose.com/2017/06/17/herr-tartuff-analise-e-impressoes/">Herr Tartüff (Tartufo): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">5769</post-id>	</item>
		<item>
		<title>Der Letzte Mann (A Última Gargalhada): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/06/15/der-letzte-mann-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=der-letzte-mann-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/06/15/der-letzte-mann-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 15 Jun 2017 20:28:24 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1924]]></category>
		<category><![CDATA[65]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Emil Jannings]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Maly Delschaft]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=5750</guid>

					<description><![CDATA[<p>Quando uma idéia boa é afetada pelo exagero do cinema mudo.</p>
<p>O post <a href="https://cinegrandiose.com/2017/06/15/der-letzte-mann-analise-e-impressoes/">Der Letzte Mann (A Última Gargalhada): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">5750</post-id>	</item>
		<item>
		<title>Nosferatu, eine Symphonie des Grauens (Nosferatu): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/06/13/nosferatu-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nosferatu-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/06/13/nosferatu-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 13 Jun 2017 07:04:48 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1922]]></category>
		<category><![CDATA[60]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Greta Schröder]]></category>
		<category><![CDATA[Gustav von Wangenheim]]></category>
		<category><![CDATA[Max Schreck]]></category>
		<category><![CDATA[Terror]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=5723</guid>

					<description><![CDATA[<p>Uma sinfonia do horror não tão potente hoje em dia.</p>
<p>O post <a href="https://cinegrandiose.com/2017/06/13/nosferatu-analise-e-impressoes/">Nosferatu, eine Symphonie des Grauens (Nosferatu): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">5723</post-id>	</item>
		<item>
		<title>Phantom (Fantasma): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/06/12/phantom-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=phantom-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/06/12/phantom-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Mon, 12 Jun 2017 23:42:55 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1922]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Alfred Abel]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Grete Berger]]></category>
		<category><![CDATA[Lya De Putti]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=5716</guid>

					<description><![CDATA[<p>Não é um filme de terror, apesar do nome.</p>
<p>O post <a href="https://cinegrandiose.com/2017/06/12/phantom-analise-e-impressoes/">Phantom (Fantasma): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">5716</post-id>	</item>
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		<title>Faust: Eine deutsche Volkssage (Fausto): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/06/12/faust-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=faust-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/06/12/faust-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Mon, 12 Jun 2017 06:07:26 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1926]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Camilla Horn]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Emil Jannings]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Gösta Ekman]]></category>
		<category><![CDATA[Terror]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=5705</guid>

					<description><![CDATA[<p>Esta adaptação do clássico conto alemão está entre o melhor que Murnau tem para oferecer.</p>
<p>O post <a href="https://cinegrandiose.com/2017/06/12/faust-analise-e-impressoes/">Faust: Eine deutsche Volkssage (Fausto): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">5705</post-id>	</item>
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		<title>Schloß Vogelöd (O Castelo Vogelöd): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/06/11/schlos-vogelod-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=schlos-vogelod-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/06/11/schlos-vogelod-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 11 Jun 2017 07:34:19 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1921]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[F.W. Murnau]]></category>
		<category><![CDATA[Olga Tschechowa]]></category>
		<category><![CDATA[Paul Hartmann]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=5691</guid>

					<description><![CDATA[<p>Um dos trabalhos mais interessantes de Murnau.</p>
<p>O post <a href="https://cinegrandiose.com/2017/06/11/schlos-vogelod-analise-e-impressoes/">Schloß Vogelöd (O Castelo Vogelöd): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">5691</post-id>	</item>
		<item>
		<title>The Kid (O Garoto): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/01/01/the-kid-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-kid-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/01/01/the-kid-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 01 Jan 2017 22:18:54 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1920]]></category>
		<category><![CDATA[1921]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Charles Chaplin]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Edna Purviance]]></category>
		<category><![CDATA[Jackie Coogan]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=4927</guid>

					<description><![CDATA[<p>Merecidamente, o melhor e mais clássico filme de Charlie Chaplin.</p>
<p>O post <a href="https://cinegrandiose.com/2017/01/01/the-kid-analise-e-impressoes/">The Kid (O Garoto): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">4927</post-id>	</item>
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