<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Arquivos Década de 1940 &#8211; Cine Grandiose</title>
	<atom:link href="https://cinegrandiose.com/category/decada-de-1940/feed/" rel="self" type="application/rss+xml" />
	<link>https://cinegrandiose.com/category/decada-de-1940/</link>
	<description></description>
	<lastBuildDate>Sun, 03 Jan 2021 03:12:54 +0000</lastBuildDate>
	<language>pt-BR</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>http://cinegrandiose.com/wp-content/uploads/2016/01/CG.png</url>
	<title>Arquivos Década de 1940 &#8211; Cine Grandiose</title>
	<link>https://cinegrandiose.com/category/decada-de-1940/</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">106382303</site>	<item>
		<title>Gentleman&#8217;s Agreement (A Luz É para Todos): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/12/16/gentlemans-agreement-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gentlemans-agreement-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/12/16/gentlemans-agreement-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 17 Dec 2020 01:31:39 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1947]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Anne Revere]]></category>
		<category><![CDATA[Celeste Holm]]></category>
		<category><![CDATA[Dorothy McGuire]]></category>
		<category><![CDATA[Elia Kazan]]></category>
		<category><![CDATA[Gregory Peck]]></category>
		<category><![CDATA[John Garfield]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10472</guid>

					<description><![CDATA[<p>Interessante em conceito e de execução superficial, "Gentleman's Agreement" está entre os ganhadores de Melhor Filme menos chamativos.</p>
<p>O post <a href="https://cinegrandiose.com/2020/12/16/gentlemans-agreement-analise-e-impressoes/">Gentleman&#8217;s Agreement (A Luz É para Todos): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/12/16/gentlemans-agreement-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10472</post-id>	</item>
		<item>
		<title>Great Expectations (Grandes Esperanças): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/09/08/great-expectations-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=great-expectations-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/09/08/great-expectations-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 08 Sep 2020 22:26:18 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1946]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Alec Guinness]]></category>
		<category><![CDATA[Anthony Wager]]></category>
		<category><![CDATA[Aventura]]></category>
		<category><![CDATA[David Lean]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[John Mills]]></category>
		<category><![CDATA[Martita Hunt]]></category>
		<category><![CDATA[Valerie Hobson]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10331</guid>

					<description><![CDATA[<p>Sem considerar o livro original, "Great Expectations" é uma obra de alguns pontos altos e conquista geral modesta vinda de um grande diretor, David Lean.</p>
<p>O post <a href="https://cinegrandiose.com/2020/09/08/great-expectations-analise-e-impressoes/">Great Expectations (Grandes Esperanças): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/09/08/great-expectations-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10331</post-id>	</item>
		<item>
		<title>The Emperor Waltz (A Valsa do Imperador): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/07/09/the-emperor-waltz-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-emperor-waltz-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/07/09/the-emperor-waltz-analise-e-impressoes/#comments</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 09 Jul 2020 19:58:43 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1948]]></category>
		<category><![CDATA[65]]></category>
		<category><![CDATA[Billy Wilder]]></category>
		<category><![CDATA[Bing Crosby]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Joan Fontaine]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Richard Haydn]]></category>
		<category><![CDATA[Roland Culver]]></category>
		<category><![CDATA[Romance]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10142</guid>

					<description><![CDATA[<p>"The Emperor Waltz" é uma comédia musical que cai entre os trabalhos esquecíveis do grande Billy Wilder.</p>
<p>O post <a href="https://cinegrandiose.com/2020/07/09/the-emperor-waltz-analise-e-impressoes/">The Emperor Waltz (A Valsa do Imperador): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/07/09/the-emperor-waltz-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10142</post-id>	</item>
		<item>
		<title>Five Graves to Cairo (Cinco Covas no Egito): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/06/27/five-graves-to-cairo-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=five-graves-to-cairo-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/06/27/five-graves-to-cairo-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 27 Jun 2020 08:33:33 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1943]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Akim Tamiroff]]></category>
		<category><![CDATA[Anne Baxter]]></category>
		<category><![CDATA[Billy Wilder]]></category>
		<category><![CDATA[Erich von Stroheim]]></category>
		<category><![CDATA[Franchot Tone]]></category>
		<category><![CDATA[Guerra]]></category>
		<category><![CDATA[Peter van Eyck]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10126</guid>

					<description><![CDATA[<p>"Five Graves to Cairo" marca o começo da brilhante carreira de Billy Wilder.</p>
<p>O post <a href="https://cinegrandiose.com/2020/06/27/five-graves-to-cairo-analise-e-impressoes/">Five Graves to Cairo (Cinco Covas no Egito): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/06/27/five-graves-to-cairo-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10126</post-id>	</item>
		<item>
		<title>Easter Parade (Desfile de Páscoa): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/06/15/easter-parade-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=easter-parade-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/06/15/easter-parade-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 16 Jun 2020 02:41:32 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1948]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Ann Miller]]></category>
		<category><![CDATA[Charles Walters]]></category>
		<category><![CDATA[Fred Astaire]]></category>
		<category><![CDATA[Judy Garland]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Peter Lawford]]></category>
		<category><![CDATA[Romance]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10079</guid>

					<description><![CDATA[<p>"Easter Parade" é a única parceria de Judy Garland e Fred Astaire e singularmente único por ser tão bom.</p>
<p>O post <a href="https://cinegrandiose.com/2020/06/15/easter-parade-analise-e-impressoes/">Easter Parade (Desfile de Páscoa): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/06/15/easter-parade-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10079</post-id>	</item>
		<item>
		<title>Criss Cross (Baixeza): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/05/31/criss-cross-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=criss-cross-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/05/31/criss-cross-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 31 May 2020 08:43:37 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1949]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Burt Lancaster]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Dan Duryea]]></category>
		<category><![CDATA[Noir]]></category>
		<category><![CDATA[Robert Siodmak]]></category>
		<category><![CDATA[Stephen McNally]]></category>
		<category><![CDATA[Yvonne De Carlo]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10036</guid>

					<description><![CDATA[<p>"Criss Cross" está longe de ser mediano como a recepção da época rotulou, ainda assim é um pouco aquém de sua reputação moderna.</p>
<p>O post <a href="https://cinegrandiose.com/2020/05/31/criss-cross-analise-e-impressoes/">Criss Cross (Baixeza): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/05/31/criss-cross-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10036</post-id>	</item>
		<item>
		<title>Spellbound (Quando Fala o Coração): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/05/03/spellbound-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=spellbound-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/05/03/spellbound-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 03 May 2020 10:19:27 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1945]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Gregory Peck]]></category>
		<category><![CDATA[Ingrid Bergman]]></category>
		<category><![CDATA[Leo G. Carroll]]></category>
		<category><![CDATA[Michael Chekhov]]></category>
		<category><![CDATA[Noir]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9903</guid>

					<description><![CDATA[<p>Não uma das melhores obras de Alfred Hitchcock, "Spellbound" ainda conserva muito do seu poder em sua história vibrante.</p>
<p>O post <a href="https://cinegrandiose.com/2020/05/03/spellbound-analise-e-impressoes/">Spellbound (Quando Fala o Coração): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/05/03/spellbound-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9903</post-id>	</item>
		<item>
		<title>Mrs. Miniver (Rosa da Esperança): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/03/24/mrs-miniver-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mrs-miniver-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/03/24/mrs-miniver-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 24 Mar 2020 20:35:09 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1942]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Greer Garson]]></category>
		<category><![CDATA[Guerra]]></category>
		<category><![CDATA[May Whitty]]></category>
		<category><![CDATA[Richard Ney]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Teresa Wright]]></category>
		<category><![CDATA[Walter Pidgeon]]></category>
		<category><![CDATA[William Wyler]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9798</guid>

					<description><![CDATA[<p>"Mrs. Miniver" é um filme de guerra de ambientação incomum e reputação um pouco superestimada.</p>
<p>O post <a href="https://cinegrandiose.com/2020/03/24/mrs-miniver-analise-e-impressoes/">Mrs. Miniver (Rosa da Esperança): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/03/24/mrs-miniver-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9798</post-id>	</item>
		<item>
		<title>The Stranger (O Estranho): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/12/27/the-stranger-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-stranger-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/12/27/the-stranger-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 27 Dec 2019 20:27:21 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1946]]></category>
		<category><![CDATA[60]]></category>
		<category><![CDATA[Edward G. Robinson]]></category>
		<category><![CDATA[Loretta Young]]></category>
		<category><![CDATA[Noir]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Philip Merivale]]></category>
		<category><![CDATA[Richard Long]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9503</guid>

					<description><![CDATA[<p>"The Stranger" parecia ser um excelente filme de Orson Welles como muitos, mas acaba sendo uma decepção. </p>
<p>O post <a href="https://cinegrandiose.com/2019/12/27/the-stranger-analise-e-impressoes/">The Stranger (O Estranho): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2019/12/27/the-stranger-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9503</post-id>	</item>
		<item>
		<title>Now, Voyager (A Estranha Passageira): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/12/07/now-voyager-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=now-voyager-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/12/07/now-voyager-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 08 Dec 2019 06:46:57 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1942]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Bette Davis]]></category>
		<category><![CDATA[Bonita Granville]]></category>
		<category><![CDATA[Claude Rains]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Gladys Cooper]]></category>
		<category><![CDATA[Irving Rapper]]></category>
		<category><![CDATA[Paul Henreid]]></category>
		<category><![CDATA[Romance]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9454</guid>

					<description><![CDATA[<p>Mais uma oportunidade que a Academia deixou passar de premiar Bette Davis com seu terceiro Oscar.</p>
<p>O post <a href="https://cinegrandiose.com/2019/12/07/now-voyager-analise-e-impressoes/">Now, Voyager (A Estranha Passageira): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2019/12/07/now-voyager-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9454</post-id>	</item>
	</channel>
</rss>

<!--
Page Caching using Disk: Enhanced 
Minified using Disk

Served from: cinegrandiose.com @ 2026-05-25 16:19:39 by W3 Total Cache
-->