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	<title>Arquivos Policial &#8211; Cine Grandiose</title>
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		<title>Hellraiser: Inferno: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2024/01/17/hellraiser-inferno-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hellraiser-inferno-analise-e-impressoes</link>
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		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 17 Jan 2024 18:28:47 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2000]]></category>
		<category><![CDATA[2000]]></category>
		<category><![CDATA[50]]></category>
		<category><![CDATA[Craig Sheffer]]></category>
		<category><![CDATA[Doug Bradley]]></category>
		<category><![CDATA[James Remar]]></category>
		<category><![CDATA[Nicholas Turturro]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Scott Derrickson]]></category>
		<category><![CDATA[Terror]]></category>
		<guid isPermaLink="false">https://cinegrandiose.com/?p=11458</guid>

					<description><![CDATA[<p>"Hellraiser: Inferno" marca o começo de uma fase longa e horrível para a série.</p>
<p>O post <a href="https://cinegrandiose.com/2024/01/17/hellraiser-inferno-analise-e-impressoes/">Hellraiser: Inferno: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">11458</post-id>	</item>
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		<title>Bad Boys for Life (Bad Boys Para Sempre): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/02/02/bad-boys-for-life-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bad-boys-for-life-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/02/02/bad-boys-for-life-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Mon, 03 Feb 2020 04:38:31 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2020]]></category>
		<category><![CDATA[2020]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Adil El Arbi]]></category>
		<category><![CDATA[Bilall Fallah]]></category>
		<category><![CDATA[Kate del Castillo]]></category>
		<category><![CDATA[Martin Lawrence]]></category>
		<category><![CDATA[Paola Nuñez]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Will Smith]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9598</guid>

					<description><![CDATA[<p>Depois de 17 anos, "Bad Boys for Life" traz de volta uma dupla de policiais que por pouco não foi esquecida pelo tempo.</p>
<p>O post <a href="https://cinegrandiose.com/2020/02/02/bad-boys-for-life-analise-e-impressoes/">Bad Boys for Life (Bad Boys Para Sempre): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9598</post-id>	</item>
		<item>
		<title>Die Hard (Duro de Matar): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/12/31/die-hard-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=die-hard-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/12/31/die-hard-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 31 Dec 2019 20:28:50 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1980]]></category>
		<category><![CDATA[1988]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Alan Rickman]]></category>
		<category><![CDATA[Bonnie Bedelia]]></category>
		<category><![CDATA[Bruce Willis]]></category>
		<category><![CDATA[John McTiernan]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Reginald VelJohnson]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9548</guid>

					<description><![CDATA[<p>"Die Hard" ou um dos melhores filmes de ação de todos os tempos.</p>
<p>O post <a href="https://cinegrandiose.com/2019/12/31/die-hard-analise-e-impressoes/">Die Hard (Duro de Matar): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9548</post-id>	</item>
		<item>
		<title>Hot Fuzz (Chumbo Grosso): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/10/10/hot-fuzz-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hot-fuzz-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/10/10/hot-fuzz-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 10 Oct 2019 18:00:12 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2000]]></category>
		<category><![CDATA[2007]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Edgar Wright]]></category>
		<category><![CDATA[Jim Broadbent]]></category>
		<category><![CDATA[Nick Frost]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Simon Pegg]]></category>
		<category><![CDATA[Timothy Dalton]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9289</guid>

					<description><![CDATA[<p>Mesmo problemático, "Hot Fuzz" traz o melhor do cinema de Edgar Wright em seus melhores momentos.</p>
<p>O post <a href="https://cinegrandiose.com/2019/10/10/hot-fuzz-analise-e-impressoes/">Hot Fuzz (Chumbo Grosso): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9289</post-id>	</item>
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		<title>The Raid 2: Berandal (Operação Invasão 2): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/08/03/the-raid-2-berandal-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-raid-2-berandal-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/08/03/the-raid-2-berandal-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 03 Aug 2019 15:35:29 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2010]]></category>
		<category><![CDATA[2014]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Arifin Putra]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Gareth Evans]]></category>
		<category><![CDATA[Iko Uwais]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Tio Pakusadewo]]></category>
		<category><![CDATA[Yayan Ruhian]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9057</guid>

					<description><![CDATA[<p>"The Raid 2" expande os conceitos do original e intensifica ainda mais a ação enquanto peca na brevidade de sua duração.</p>
<p>O post <a href="https://cinegrandiose.com/2019/08/03/the-raid-2-berandal-analise-e-impressoes/">The Raid 2: Berandal (Operação Invasão 2): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9057</post-id>	</item>
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		<title>Bullitt: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/07/10/bullitt-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bullitt-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/07/10/bullitt-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 10 Jul 2019 03:23:31 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1968]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Don Gordon]]></category>
		<category><![CDATA[Jacqueline Bisset]]></category>
		<category><![CDATA[Peter Yates]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Robert Vaughn]]></category>
		<category><![CDATA[Steve McQueen]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8924</guid>

					<description><![CDATA[<p>Apenas mais um dia na vida de Frank Bullitt.</p>
<p>O post <a href="https://cinegrandiose.com/2019/07/10/bullitt-analise-e-impressoes/">Bullitt: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8924</post-id>	</item>
		<item>
		<title>To Live and Die in L.A. (Viver e Morrer em Los Angeles): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/05/14/to-live-and-die-in-la-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=to-live-and-die-in-la-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/05/14/to-live-and-die-in-la-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 14 May 2019 19:26:03 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1980]]></category>
		<category><![CDATA[1985]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[John Pankow]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Willem Dafoe]]></category>
		<category><![CDATA[William Friedkin]]></category>
		<category><![CDATA[William Petersen]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8713</guid>

					<description><![CDATA[<p>Se não por outros motivos, uma excelente perseguição de carro é um ótimo motivo para se lembrar de "To Live and Die in L.A.".</p>
<p>O post <a href="https://cinegrandiose.com/2019/05/14/to-live-and-die-in-la-analise-e-impressoes/">To Live and Die in L.A. (Viver e Morrer em Los Angeles): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8713</post-id>	</item>
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		<title>Prisoners (Os Suspeitos): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2018/05/24/prisoners-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=prisoners-analise-e-impressoes</link>
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		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 24 May 2018 17:00:38 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2010]]></category>
		<category><![CDATA[2013]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Denis Villeneuve]]></category>
		<category><![CDATA[Hugh Jackman]]></category>
		<category><![CDATA[Jake Gyllenhaal]]></category>
		<category><![CDATA[Melissa Leo]]></category>
		<category><![CDATA[Paul Dano]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=7299</guid>

					<description><![CDATA[<p>Suspense e atuações fortes em uma história que faz ótimo proveito de ambos neste primeiro filme americano de Villeneuve.</p>
<p>O post <a href="https://cinegrandiose.com/2018/05/24/prisoners-analise-e-impressoes/">Prisoners (Os Suspeitos): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">7299</post-id>	</item>
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		<title>The Silence of the Lambs (O Silêncio dos Inocentes): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2018/04/06/the-silence-of-the-lambs-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-silence-of-the-lambs-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2018/04/06/the-silence-of-the-lambs-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 07 Apr 2018 00:21:05 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1990]]></category>
		<category><![CDATA[100]]></category>
		<category><![CDATA[1991]]></category>
		<category><![CDATA[Anthony Heald]]></category>
		<category><![CDATA[Anthony Hopkins]]></category>
		<category><![CDATA[Jodie Foster]]></category>
		<category><![CDATA[Jonathan Demme]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Scott Glenn]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Ted Levine]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=7119</guid>

					<description><![CDATA[<p>Apoiada por interpretações marcantes de personagens ainda mais cativantes, eis uma obra prima do suspense.</p>
<p>O post <a href="https://cinegrandiose.com/2018/04/06/the-silence-of-the-lambs-analise-e-impressoes/">The Silence of the Lambs (O Silêncio dos Inocentes): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">7119</post-id>	</item>
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		<title>Bright: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2018/01/07/bright-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bright-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2018/01/07/bright-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 07 Jan 2018 17:04:30 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[2017]]></category>
		<category><![CDATA[30]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[David Ayer]]></category>
		<category><![CDATA[Fantasia]]></category>
		<category><![CDATA[Joel Edgerton]]></category>
		<category><![CDATA[Lucy Fry]]></category>
		<category><![CDATA[Noomi Rapace]]></category>
		<category><![CDATA[Policial]]></category>
		<category><![CDATA[Will Smith]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=6670</guid>

					<description><![CDATA[<p>A mais nova terrível produção original Netflix.</p>
<p>O post <a href="https://cinegrandiose.com/2018/01/07/bright-analise-e-impressoes/">Bright: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">6670</post-id>	</item>
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