<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Arquivos Joseph Cotten &#8211; Cine Grandiose</title>
	<atom:link href="https://cinegrandiose.com/tag/joseph-cotten/feed/" rel="self" type="application/rss+xml" />
	<link>https://cinegrandiose.com/tag/joseph-cotten/</link>
	<description></description>
	<lastBuildDate>Fri, 04 Oct 2019 06:52:13 +0000</lastBuildDate>
	<language>pt-BR</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>http://cinegrandiose.com/wp-content/uploads/2016/01/CG.png</url>
	<title>Arquivos Joseph Cotten &#8211; Cine Grandiose</title>
	<link>https://cinegrandiose.com/tag/joseph-cotten/</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">106382303</site>	<item>
		<title>Hush&#8230;Hush, Sweet Charlotte (Com a Maldade na Alma): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/10/03/hush-hush-sweet-charlotte-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hush-hush-sweet-charlotte-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/10/03/hush-hush-sweet-charlotte-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 06:44:00 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1964]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Agnes Moorehead]]></category>
		<category><![CDATA[Bette Davis]]></category>
		<category><![CDATA[Cecil Kellaway]]></category>
		<category><![CDATA[Joseph Cotten]]></category>
		<category><![CDATA[Olivia de Havilland]]></category>
		<category><![CDATA[Robert Aldrich]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Terror]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9256</guid>

					<description><![CDATA[<p>Mesmo sendo um suposto reaproveitamento do conceito de "Baby Jane", esta é a obra superior.</p>
<p>O post <a href="https://cinegrandiose.com/2019/10/03/hush-hush-sweet-charlotte-analise-e-impressoes/">Hush&#8230;Hush, Sweet Charlotte (Com a Maldade na Alma): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2019/10/03/hush-hush-sweet-charlotte-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9256</post-id>	</item>
		<item>
		<title>Shadow of a Doubt (A Sombra de uma Dúvida): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/02/26/shadow-of-a-doubt-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shadow-of-a-doubt-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/02/26/shadow-of-a-doubt-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 26 Feb 2019 03:36:22 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1943]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Alfred Hitchcock]]></category>
		<category><![CDATA[Joseph Cotten]]></category>
		<category><![CDATA[Macdonald Carey]]></category>
		<category><![CDATA[Patricia Collinge]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Teresa Wright]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8482</guid>

					<description><![CDATA[<p>Não o melhor, mas um dos melhores de Alfred Hitchcock.</p>
<p>O post <a href="https://cinegrandiose.com/2019/02/26/shadow-of-a-doubt-analise-e-impressoes/">Shadow of a Doubt (A Sombra de uma Dúvida): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2019/02/26/shadow-of-a-doubt-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">8482</post-id>	</item>
		<item>
		<title>Gaslight (À Meia Luz): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/10/07/gaslight-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gaslight-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/10/07/gaslight-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 07 Oct 2017 22:52:11 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1944]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Angela Lansbury]]></category>
		<category><![CDATA[Charles Boyer]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[George Cukor]]></category>
		<category><![CDATA[Ingrid Bergman]]></category>
		<category><![CDATA[Joseph Cotten]]></category>
		<category><![CDATA[Noir]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=6305</guid>

					<description><![CDATA[<p>Curiosamente pouco comentado para um Noir tão bom.</p>
<p>O post <a href="https://cinegrandiose.com/2017/10/07/gaslight-analise-e-impressoes/">Gaslight (À Meia Luz): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2017/10/07/gaslight-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">6305</post-id>	</item>
		<item>
		<title>The Third Man (O Terceiro Homem): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2016/07/15/the-third-man-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-third-man-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2016/07/15/the-third-man-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 15 Jul 2016 17:08:43 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1949]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Alida Valli]]></category>
		<category><![CDATA[Carol Reed]]></category>
		<category><![CDATA[Joseph Cotten]]></category>
		<category><![CDATA[Noir]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=4204</guid>

					<description><![CDATA[<p>Um Noir que se aproveita da sutileza especialmente bem.</p>
<p>O post <a href="https://cinegrandiose.com/2016/07/15/the-third-man-analise-e-impressoes/">The Third Man (O Terceiro Homem): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2016/07/15/the-third-man-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">4204</post-id>	</item>
	</channel>
</rss>

<!--
Page Caching using Disk: Enhanced 
Minified using Disk

Served from: cinegrandiose.com @ 2026-05-25 05:27:58 by W3 Total Cache
-->