<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Arquivos Emma Stone &#8211; Cine Grandiose</title>
	<atom:link href="https://cinegrandiose.com/tag/emma-stone/feed/" rel="self" type="application/rss+xml" />
	<link>https://cinegrandiose.com/tag/emma-stone/</link>
	<description></description>
	<lastBuildDate>Fri, 13 Aug 2021 04:04:27 +0000</lastBuildDate>
	<language>pt-BR</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.9.4</generator>

<image>
	<url>http://cinegrandiose.com/wp-content/uploads/2016/01/CG.png</url>
	<title>Arquivos Emma Stone &#8211; Cine Grandiose</title>
	<link>https://cinegrandiose.com/tag/emma-stone/</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">106382303</site>	<item>
		<title>Cruella: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2021/07/28/cruella-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cruella-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2021/07/28/cruella-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 28 Jul 2021 06:43:17 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2020]]></category>
		<category><![CDATA[2021]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Craig Gillespie]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Emma Thompson]]></category>
		<category><![CDATA[Joel Fry]]></category>
		<category><![CDATA[Mark Strong]]></category>
		<category><![CDATA[Paul Walter Hauser]]></category>
		<guid isPermaLink="false">https://cinegrandiose.com/?p=10743</guid>

					<description><![CDATA[<p>"Cruella" tinha tudo para ser uma infeliz empreitada malfadada desde o começo. De algum jeito, consegue ser divertido e criativo.</p>
<p>O post <a href="https://cinegrandiose.com/2021/07/28/cruella-analise-e-impressoes/">Cruella: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2021/07/28/cruella-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10743</post-id>	</item>
		<item>
		<title>Zombieland: Double Tap (Zumbilândia: Atire Duas Vezes): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/10/17/zombieland-double-tap-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=zombieland-double-tap-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/10/17/zombieland-double-tap-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 18 Oct 2019 02:57:07 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2010]]></category>
		<category><![CDATA[2019]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Abigail Breslin]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Aventura]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Jesse Eisenberg]]></category>
		<category><![CDATA[Ruben Fleischer]]></category>
		<category><![CDATA[Woody Harrelson]]></category>
		<category><![CDATA[Zoey Deutch]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9334</guid>

					<description><![CDATA[<p>"Zombieland: Double Tap"  é mais do que outro resgate meio nostálgico, é uma continuação muito bem-vinda.</p>
<p>O post <a href="https://cinegrandiose.com/2019/10/17/zombieland-double-tap-analise-e-impressoes/">Zombieland: Double Tap (Zumbilândia: Atire Duas Vezes): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2019/10/17/zombieland-double-tap-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">9334</post-id>	</item>
		<item>
		<title>The Favourite (A Favorita): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/01/23/the-favourite-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-favourite-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/01/23/the-favourite-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 24 Jan 2019 01:29:22 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2010]]></category>
		<category><![CDATA[2018]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Nicholas Hoult]]></category>
		<category><![CDATA[Olivia Colman]]></category>
		<category><![CDATA[Rachel Weisz]]></category>
		<category><![CDATA[Yorgos Lanthimos]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8327</guid>

					<description><![CDATA[<p>A sutil alfinetada nos dramas de época e, talvez sem querer, nos típicos filmes de Oscar.</p>
<p>O post <a href="https://cinegrandiose.com/2019/01/23/the-favourite-analise-e-impressoes/">The Favourite (A Favorita): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2019/01/23/the-favourite-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">8327</post-id>	</item>
		<item>
		<title>The Help (Histórias Cruzadas): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2018/02/28/the-help-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-help-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2018/02/28/the-help-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 28 Feb 2018 21:10:49 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2010]]></category>
		<category><![CDATA[2011]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Bryce Dallas Howard]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Jessica Chastain]]></category>
		<category><![CDATA[Octavia Spencer]]></category>
		<category><![CDATA[Tate Taylor]]></category>
		<category><![CDATA[Viola Davis]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=6940</guid>

					<description><![CDATA[<p>Incrível história sobre alguns absurdos do racismo e a possibilidade de construir pontes mesmo no auge da desigualdade.</p>
<p>O post <a href="https://cinegrandiose.com/2018/02/28/the-help-analise-e-impressoes/">The Help (Histórias Cruzadas): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2018/02/28/the-help-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">6940</post-id>	</item>
		<item>
		<title>La La Land (La La Land: Cantando Estações): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/01/11/la-la-land-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=la-la-land-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/01/11/la-la-land-analise-e-impressoes/#comments</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 11 Jan 2017 02:03:44 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2010]]></category>
		<category><![CDATA[100]]></category>
		<category><![CDATA[2016]]></category>
		<category><![CDATA[Damien Chazelle]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Ryan Gosling]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=4965</guid>

					<description><![CDATA[<p>A obra prima que um ano fraco como 2016 precisava.</p>
<p>O post <a href="https://cinegrandiose.com/2017/01/11/la-la-land-analise-e-impressoes/">La La Land (La La Land: Cantando Estações): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2017/01/11/la-la-land-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">4965</post-id>	</item>
		<item>
		<title>Birdman: or (The Unexpected Virtue of Ignorance) (Birdman ou (A Inesperada Virtude da Ignorância) ): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2015/02/03/birdman-or-the-unexpected-virtue-of-ignorance-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=birdman-or-the-unexpected-virtue-of-ignorance-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2015/02/03/birdman-or-the-unexpected-virtue-of-ignorance-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 03 Feb 2015 18:34:13 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 2010]]></category>
		<category><![CDATA[2014]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Alejandro González Iñárritu]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Edward Norton]]></category>
		<category><![CDATA[Emma Stone]]></category>
		<category><![CDATA[Michael Keaton]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=1378</guid>

					<description><![CDATA[<p>Uma experiência singular por se mostrar um marco cinematográfico e temático, este longa-metragem flui perfeitamente através de seus diversos focos até que sua conquista de vitórias quebradas por um final duvidoso.</p>
<p>O post <a href="https://cinegrandiose.com/2015/02/03/birdman-or-the-unexpected-virtue-of-ignorance-analise-e-impressoes/">Birdman: or (The Unexpected Virtue of Ignorance) (Birdman ou (A Inesperada Virtude da Ignorância) ): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2015/02/03/birdman-or-the-unexpected-virtue-of-ignorance-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1378</post-id>	</item>
	</channel>
</rss>

<!--
Page Caching using Disk: Enhanced 
Minified using Disk

Served from: cinegrandiose.com @ 2026-05-30 09:27:35 by W3 Total Cache
-->