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	<title>Arquivos 1961 &#8211; Cine Grandiose</title>
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	<title>Arquivos 1961 &#8211; Cine Grandiose</title>
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		<title>Yôjinbô (Yojimbo, o Guarda-Costas): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/07/20/yojinbo-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=yojinbo-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/07/20/yojinbo-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Mon, 20 Jul 2020 05:06:07 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[Daisuke Katô]]></category>
		<category><![CDATA[Eijirô Tôno]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Tatsuya Nakadai]]></category>
		<category><![CDATA[Toshirô Mifune]]></category>
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					<description><![CDATA[<p>Talvez um pouco menos incrível que sua reputação, "Yôjinbô" ainda concentra sucessos dignos do título de clássico.</p>
<p>O post <a href="https://cinegrandiose.com/2020/07/20/yojinbo-analise-e-impressoes/">Yôjinbô (Yojimbo, o Guarda-Costas): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10189</post-id>	</item>
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		<title>West Side Story (Amor, Sublime Amor): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/12/03/west-side-story-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=west-side-story-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/12/03/west-side-story-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 03 Dec 2019 09:21:09 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[George Chakiris]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Natalie Wood]]></category>
		<category><![CDATA[Richard Beymer]]></category>
		<category><![CDATA[Rita Moreno]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Russ Tamblyn]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9413</guid>

					<description><![CDATA[<p>Um dos gigantes do gênero Musical e do cinema americano como um todo, "West Side Story" é uma maravilha técnica de música e dinamismo.</p>
<p>O post <a href="https://cinegrandiose.com/2019/12/03/west-side-story-analise-e-impressoes/">West Side Story (Amor, Sublime Amor): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9413</post-id>	</item>
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		<title>The Ladies Man (O Terror das Mulheres): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2018/06/21/the-ladies-man-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-ladies-man-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2018/06/21/the-ladies-man-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 21 Jun 2018 05:36:31 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[65]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[George Raft]]></category>
		<category><![CDATA[Helen Traubel]]></category>
		<category><![CDATA[Jerry Lewis]]></category>
		<category><![CDATA[Kathleen Freeman]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=7398</guid>

					<description><![CDATA[<p>Ora muito competente, ora decepcionante e sempre bobão.</p>
<p>O post <a href="https://cinegrandiose.com/2018/06/21/the-ladies-man-analise-e-impressoes/">The Ladies Man (O Terror das Mulheres): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">7398</post-id>	</item>
		<item>
		<title>Judgement at Nuremberg (Julgamento em Nuremberg): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/08/11/judgement-at-nuremberg-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=judgement-at-nuremberg-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/08/11/judgement-at-nuremberg-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 11 Aug 2017 21:21:59 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Burt Lancaster]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Marlene Dietrich]]></category>
		<category><![CDATA[Maximilian Schell]]></category>
		<category><![CDATA[Política]]></category>
		<category><![CDATA[Richard Widmark]]></category>
		<category><![CDATA[Spencer Tracy]]></category>
		<category><![CDATA[Stanley Kramer]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=6014</guid>

					<description><![CDATA[<p>Ótimo argumento para mostrar que o pós-guerra pode ser tão interessante quanto o conflito em si.</p>
<p>O post <a href="https://cinegrandiose.com/2017/08/11/judgement-at-nuremberg-analise-e-impressoes/">Judgement at Nuremberg (Julgamento em Nuremberg): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">6014</post-id>	</item>
		<item>
		<title>Murder She Said (Quem Viu, Quem Matou&#8230;): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2016/08/16/murder-she-said-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=murder-she-said-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2016/08/16/murder-she-said-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 16 Aug 2016 18:56:30 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Arthur Kennedy]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[George Pollock]]></category>
		<category><![CDATA[James Robertson Justice]]></category>
		<category><![CDATA[Margaret Rutherford]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=4383</guid>

					<description><![CDATA[<p>Porque nem todos os assassinatos de Agatha Christie têm de ser levados a sério. </p>
<p>O post <a href="https://cinegrandiose.com/2016/08/16/murder-she-said-analise-e-impressoes/">Murder She Said (Quem Viu, Quem Matou&#8230;): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">4383</post-id>	</item>
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		<title>The Hustler (Desafio à Corrupção): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2015/04/03/the-hustler-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-hustler-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2015/04/03/the-hustler-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 03 Apr 2015 21:44:46 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Esporte]]></category>
		<category><![CDATA[George C. Scott]]></category>
		<category><![CDATA[Paul Newman]]></category>
		<category><![CDATA[Piper Laurie]]></category>
		<category><![CDATA[Robert Rossen]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=1577</guid>

					<description><![CDATA[<p>Um filme de Esporte que aborda mais do que um exemplo de superação, esta obra dá um passo a mais ao abordar o elemento humano e psicológico excelentemente.</p>
<p>O post <a href="https://cinegrandiose.com/2015/04/03/the-hustler-analise-e-impressoes/">The Hustler (Desafio à Corrupção): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">1577</post-id>	</item>
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		<title>Breakfast at Tiffany&#8217;s (Bonequinha de Luxo): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2014/07/08/breakfast-at-tiffanys-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=breakfast-at-tiffanys-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2014/07/08/breakfast-at-tiffanys-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 08 Jul 2014 15:45:40 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Audrey Hepburn]]></category>
		<category><![CDATA[Blake Edwards]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[George Peppard]]></category>
		<category><![CDATA[Romance]]></category>
		<guid isPermaLink="false">http://cinegrandiose.wordpress.com/?p=216</guid>

					<description><![CDATA[<p>A obra que concretizou a imagem de Audrey Hepburn nos livros de história.</p>
<p>O post <a href="https://cinegrandiose.com/2014/07/08/breakfast-at-tiffanys-analise-e-impressoes/">Breakfast at Tiffany&#8217;s (Bonequinha de Luxo): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">216</post-id>	</item>
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