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	<title>Arquivos 1953 &#8211; Cine Grandiose</title>
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	<title>Arquivos 1953 &#8211; Cine Grandiose</title>
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		<title>Gentlemen Prefer Blondes (Os Homens Preferem as Loiras): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/08/12/gentlemen-prefer-blondes-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gentlemen-prefer-blondes-analise-e-impressoes</link>
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		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 13 Aug 2020 01:06:35 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Charles Coburn]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Elliott Reid]]></category>
		<category><![CDATA[Howard Hawks]]></category>
		<category><![CDATA[Jane Russell]]></category>
		<category><![CDATA[Marilyn Monroe]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Tommy Noonan]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10250</guid>

					<description><![CDATA[<p>Vindo de um diretor versátil como Howard Hawks, não é muita surpresa que "Gentlemen Prefer Blondes" seja um ótimo musical.</p>
<p>O post <a href="https://cinegrandiose.com/2020/08/12/gentlemen-prefer-blondes-analise-e-impressoes/">Gentlemen Prefer Blondes (Os Homens Preferem as Loiras): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10250</post-id>	</item>
		<item>
		<title>The Band Wagon (A Roda da Fortuna): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/07/16/the-band-wagon-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-band-wagon-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/07/16/the-band-wagon-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 17 Jul 2020 02:46:35 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Cyd Charisse]]></category>
		<category><![CDATA[Fred Astaire]]></category>
		<category><![CDATA[Jack Buchanan]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Nanette Fabray]]></category>
		<category><![CDATA[Oscar Levant]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Vincente Minnelli]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10172</guid>

					<description><![CDATA[<p>"The Band Wagon" , embora não iguale, ainda é um musical de muita qualidade para um sucessor de "An American in Paris".</p>
<p>O post <a href="https://cinegrandiose.com/2020/07/16/the-band-wagon-analise-e-impressoes/">The Band Wagon (A Roda da Fortuna): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10172</post-id>	</item>
		<item>
		<title>Roman Holiday (A Princesa e o Plebeu): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/01/02/roman-holiday-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=roman-holiday-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/01/02/roman-holiday-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 02 Jan 2019 21:07:37 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Audrey Hepburn]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Eddie Albert]]></category>
		<category><![CDATA[Gregory Peck]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[William Wyler]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=8291</guid>

					<description><![CDATA[<p>A grande estréia de Audrey Hepburn no cinema e também um dos pontos altos da célebre carreira de William Wyler.</p>
<p>O post <a href="https://cinegrandiose.com/2019/01/02/roman-holiday-analise-e-impressoes/">Roman Holiday (A Princesa e o Plebeu): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">8291</post-id>	</item>
		<item>
		<title>From Here to Eternity (A Um Passo da Eternidade): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/08/28/from-here-to-eternity-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=from-here-to-eternity-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/08/28/from-here-to-eternity-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 29 Aug 2017 01:08:50 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[60]]></category>
		<category><![CDATA[Burt Lancaster]]></category>
		<category><![CDATA[Deborah Kerr]]></category>
		<category><![CDATA[Donna Reed]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Frank Sinatra]]></category>
		<category><![CDATA[Fred Zinnemann]]></category>
		<category><![CDATA[Guerra]]></category>
		<category><![CDATA[Montgomery Clift]]></category>
		<category><![CDATA[Romance]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=6096</guid>

					<description><![CDATA[<p>Provavelmente um dos vencedores do Oscar mais fracos de todos os tempos.</p>
<p>O post <a href="https://cinegrandiose.com/2017/08/28/from-here-to-eternity-analise-e-impressoes/">From Here to Eternity (A Um Passo da Eternidade): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">6096</post-id>	</item>
		<item>
		<title>Anatahan (A Saga de Anatahan): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2017/06/09/anatahan-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=anatahan-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2017/06/09/anatahan-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 09 Jun 2017 22:29:05 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[60]]></category>
		<category><![CDATA[Akemi Negishi]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Guerra]]></category>
		<category><![CDATA[Josef von Sternberg]]></category>
		<category><![CDATA[Tadashi Suganuma]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=5674</guid>

					<description><![CDATA[<p>O filme com um dos piores exemplo de narração do Cinema.</p>
<p>O post <a href="https://cinegrandiose.com/2017/06/09/anatahan-analise-e-impressoes/">Anatahan (A Saga de Anatahan): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">5674</post-id>	</item>
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		<title>The Big Heat (Os Corruptos): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2016/12/11/the-big-heat-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-big-heat-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2016/12/11/the-big-heat-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 11 Dec 2016 18:39:05 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Glenn Ford]]></category>
		<category><![CDATA[Gloria Grahame]]></category>
		<category><![CDATA[Lee Marvin]]></category>
		<category><![CDATA[Noir]]></category>
		<category><![CDATA[Policial]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=4833</guid>

					<description><![CDATA[<p>A história de um policial que busca justiça torna-se mais do que isso quando a podridão está em todos os lugares.</p>
<p>O post <a href="https://cinegrandiose.com/2016/12/11/the-big-heat-analise-e-impressoes/">The Big Heat (Os Corruptos): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">4833</post-id>	</item>
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		<title>Stalag 17 (Inferno Nº 17): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2016/04/26/stalag-17-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=stalag-17-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2016/04/26/stalag-17-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 26 Apr 2016 16:25:05 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Billy Wilder]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Guerra]]></category>
		<category><![CDATA[Otto Preminger]]></category>
		<category><![CDATA[Peter Graves]]></category>
		<category><![CDATA[Robert Strauss]]></category>
		<category><![CDATA[William Holden]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=3717</guid>

					<description><![CDATA[<p>O pior filme de Billy Wilder até então ainda está longe de ser algo ruim.</p>
<p>O post <a href="https://cinegrandiose.com/2016/04/26/stalag-17-analise-e-impressoes/">Stalag 17 (Inferno Nº 17): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3717</post-id>	</item>
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		<title>Tôkyô monogatari (Era Uma Vez em Tóquio): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2016/04/22/era-uma-vez-em-toquio-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=era-uma-vez-em-toquio-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2016/04/22/era-uma-vez-em-toquio-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 22 Apr 2016 19:03:00 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Chieko Higashiyama]]></category>
		<category><![CDATA[Chishû Ryû]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Setsuko Hara]]></category>
		<category><![CDATA[Yasujirô Ozu]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=3688</guid>

					<description><![CDATA[<p>A prova de que lentidão nem sempre significa tédio.</p>
<p>O post <a href="https://cinegrandiose.com/2016/04/22/era-uma-vez-em-toquio-analise-e-impressoes/">Tôkyô monogatari (Era Uma Vez em Tóquio): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">3688</post-id>	</item>
		<item>
		<title>Shane (Os Brutos Também Amam): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2014/09/20/shane-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=shane-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2014/09/20/shane-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sat, 20 Sep 2014 16:00:16 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1950]]></category>
		<category><![CDATA[1953]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Alan Ladd]]></category>
		<category><![CDATA[Brandon De Wilde]]></category>
		<category><![CDATA[Faroeste]]></category>
		<category><![CDATA[George Stevens]]></category>
		<category><![CDATA[Jean Arthur]]></category>
		<category><![CDATA[Van Heflin]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=774</guid>

					<description><![CDATA[<p>Dono de uma porção de piadas prontas por conta de seu título no Brasil, este notório faroeste é um clássico instantâneo.</p>
<p>O post <a href="https://cinegrandiose.com/2014/09/20/shane-analise-e-impressoes/">Shane (Os Brutos Também Amam): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">774</post-id>	</item>
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