<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Arquivos 1947 &#8211; Cine Grandiose</title>
	<atom:link href="https://cinegrandiose.com/tag/1947/feed/" rel="self" type="application/rss+xml" />
	<link>https://cinegrandiose.com/tag/1947/</link>
	<description></description>
	<lastBuildDate>Sun, 03 Jan 2021 03:12:54 +0000</lastBuildDate>
	<language>pt-BR</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>

<image>
	<url>http://cinegrandiose.com/wp-content/uploads/2016/01/CG.png</url>
	<title>Arquivos 1947 &#8211; Cine Grandiose</title>
	<link>https://cinegrandiose.com/tag/1947/</link>
	<width>32</width>
	<height>32</height>
</image> 
<site xmlns="com-wordpress:feed-additions:1">106382303</site>	<item>
		<title>Gentleman&#8217;s Agreement (A Luz É para Todos): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/12/16/gentlemans-agreement-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=gentlemans-agreement-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/12/16/gentlemans-agreement-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 17 Dec 2020 01:31:39 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1947]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Anne Revere]]></category>
		<category><![CDATA[Celeste Holm]]></category>
		<category><![CDATA[Dorothy McGuire]]></category>
		<category><![CDATA[Elia Kazan]]></category>
		<category><![CDATA[Gregory Peck]]></category>
		<category><![CDATA[John Garfield]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10472</guid>

					<description><![CDATA[<p>Interessante em conceito e de execução superficial, "Gentleman's Agreement" está entre os ganhadores de Melhor Filme menos chamativos.</p>
<p>O post <a href="https://cinegrandiose.com/2020/12/16/gentlemans-agreement-analise-e-impressoes/">Gentleman&#8217;s Agreement (A Luz É para Todos): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2020/12/16/gentlemans-agreement-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10472</post-id>	</item>
		<item>
		<title>The Lady from Shanghai (A Dama de Shangai): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2018/04/11/the-lady-from-shanghai-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-lady-from-shanghai-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2018/04/11/the-lady-from-shanghai-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 11 Apr 2018 03:46:24 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1947]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Everett Sloane]]></category>
		<category><![CDATA[Glenn Anders]]></category>
		<category><![CDATA[Noir]]></category>
		<category><![CDATA[Orson Welles]]></category>
		<category><![CDATA[Rita Hayworth]]></category>
		<category><![CDATA[Ted de Corsia]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=7141</guid>

					<description><![CDATA[<p>Orson Welles apenas reforçando sua posição como um dos maiores nomes de Hollywood.</p>
<p>O post <a href="https://cinegrandiose.com/2018/04/11/the-lady-from-shanghai-analise-e-impressoes/">The Lady from Shanghai (A Dama de Shangai): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2018/04/11/the-lady-from-shanghai-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">7141</post-id>	</item>
		<item>
		<title>Out of the Past (Fuga do Passado): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2016/04/01/out-of-the-past-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=out-of-the-past-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2016/04/01/out-of-the-past-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 01 Apr 2016 16:41:28 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1940]]></category>
		<category><![CDATA[1947]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Crime]]></category>
		<category><![CDATA[Jacques Tourneur]]></category>
		<category><![CDATA[Jane Greer]]></category>
		<category><![CDATA[Kirk Douglas]]></category>
		<category><![CDATA[Noir]]></category>
		<category><![CDATA[Robert Mitchum]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=3562</guid>

					<description><![CDATA[<p>O exemplo quintessencial que define perfeitamente o Noir como gênero.</p>
<p>O post <a href="https://cinegrandiose.com/2016/04/01/out-of-the-past-analise-e-impressoes/">Out of the Past (Fuga do Passado): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
					<wfw:commentRss>https://cinegrandiose.com/2016/04/01/out-of-the-past-analise-e-impressoes/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">3562</post-id>	</item>
	</channel>
</rss>

<!--
Page Caching using Disk: Enhanced 
Minified using Disk

Served from: cinegrandiose.com @ 2026-06-22 01:47:27 by W3 Total Cache
-->