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	<title>Arquivos Década de 1970 &#8211; Cine Grandiose</title>
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	<title>Arquivos Década de 1970 &#8211; Cine Grandiose</title>
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		<title>The Texas Chainsaw Massacre (O Massacre da Serra Elétrica): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2025/02/16/the-texas-chainsaw-massacre-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-texas-chainsaw-massacre-analise-e-impressoes</link>
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		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 16 Feb 2025 21:02:45 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1974]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Allen Danziger]]></category>
		<category><![CDATA[Gunnar Hansen]]></category>
		<category><![CDATA[Marilyn Burns]]></category>
		<category><![CDATA[Paul A. Partain]]></category>
		<category><![CDATA[Terror]]></category>
		<category><![CDATA[Tobe Hooper]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=6766</guid>

					<description><![CDATA[<p>"The Texas Chainsaw Massacre" continua a mostrar por que seu status de clássico do gênero permanece intocado mais de 50 anos depois.</p>
<p>O post <a href="https://cinegrandiose.com/2025/02/16/the-texas-chainsaw-massacre-analise-e-impressoes/">The Texas Chainsaw Massacre (O Massacre da Serra Elétrica): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">6766</post-id>	</item>
		<item>
		<title>Um é Pouco, Dois é Bom: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2024/06/02/um-e-pouco-dois-e-bom-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=um-e-pouco-dois-e-bom-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2024/06/02/um-e-pouco-dois-e-bom-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 02 Jun 2024 05:46:01 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1970]]></category>
		<category><![CDATA[65]]></category>
		<category><![CDATA[Amélia Bittencourt]]></category>
		<category><![CDATA[Araci Esteves]]></category>
		<category><![CDATA[Carlos Carvalho]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Francisco Silva]]></category>
		<category><![CDATA[Odilon Lopez]]></category>
		<guid isPermaLink="false">https://cinegrandiose.com/?p=11680</guid>

					<description><![CDATA[<p>"Um é Pouco, Dois é Bom" é uma experiência mais interessante e legal do que necessariamente boa, mas jamais diria que não vale a pena.</p>
<p>O post <a href="https://cinegrandiose.com/2024/06/02/um-e-pouco-dois-e-bom-analise-e-impressoes/">Um é Pouco, Dois é Bom: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">11680</post-id>	</item>
		<item>
		<title>Live and Let Die (Com 007 Viva e Deixe Morrer): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2024/01/30/live-and-let-die-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=live-and-let-die-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2024/01/30/live-and-let-die-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 30 Jan 2024 23:17:45 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1973]]></category>
		<category><![CDATA[70]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Aventura]]></category>
		<category><![CDATA[Bernard Lee]]></category>
		<category><![CDATA[Clifton James]]></category>
		<category><![CDATA[Geoffrey Holder]]></category>
		<category><![CDATA[Guy Hamilton]]></category>
		<category><![CDATA[Jane Seymour]]></category>
		<category><![CDATA[Roger Moore]]></category>
		<category><![CDATA[Yaphet Kotto]]></category>
		<guid isPermaLink="false">https://cinegrandiose.com/?p=11462</guid>

					<description><![CDATA[<p>Imperfeito e muito divertido, "Live and Let Die" marca uma boa estréia para Roger Moore  e está a alguns passos à frente da aventura anterior.</p>
<p>O post <a href="https://cinegrandiose.com/2024/01/30/live-and-let-die-analise-e-impressoes/">Live and Let Die (Com 007 Viva e Deixe Morrer): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">11462</post-id>	</item>
		<item>
		<title>Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (Jeanne Dielman): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2023/06/19/jeanne-dielman-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jeanne-dielman-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2023/06/19/jeanne-dielman-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Mon, 19 Jun 2023 03:34:24 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1975]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Chantal Akerman]]></category>
		<category><![CDATA[Delphine Seyrig]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Jan Decorte]]></category>
		<guid isPermaLink="false">https://cinegrandiose.com/?p=11272</guid>

					<description><![CDATA[<p>A vida de uma dona de casa nunca foi tão interessante e tão ordinária como a de Jeanne Dielman, mostrada aqui em um recorte épico e simples.</p>
<p>O post <a href="https://cinegrandiose.com/2023/06/19/jeanne-dielman-analise-e-impressoes/">Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (Jeanne Dielman): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">11272</post-id>	</item>
		<item>
		<title>Halloween (Halloween &#8211; A Noite do Terror): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2021/11/18/halloween-1978-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=halloween-1978-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2021/11/18/halloween-1978-analise-e-impressoes/#comments</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 18 Nov 2021 04:49:35 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1978]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Donald Pleasence]]></category>
		<category><![CDATA[Jamie Lee Curtis]]></category>
		<category><![CDATA[John Carpenter]]></category>
		<category><![CDATA[Nancy Kyes]]></category>
		<category><![CDATA[P.J. Soles]]></category>
		<category><![CDATA[Terror]]></category>
		<guid isPermaLink="false">https://cinegrandiose.com/?p=10862</guid>

					<description><![CDATA[<p>O original permanece como, provavelmente, o melhor "Halloween" entre todas as várias continuações posteriores.</p>
<p>O post <a href="https://cinegrandiose.com/2021/11/18/halloween-1978-analise-e-impressoes/">Halloween (Halloween &#8211; A Noite do Terror): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10862</post-id>	</item>
		<item>
		<title>Nashville: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2021/04/11/nashville-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=nashville-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2021/04/11/nashville-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 11 Apr 2021 21:14:42 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1975]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Geraldine Chaplin]]></category>
		<category><![CDATA[Henry Gibson]]></category>
		<category><![CDATA[Keith Carradine]]></category>
		<category><![CDATA[Música]]></category>
		<category><![CDATA[Robert Altman]]></category>
		<category><![CDATA[Ronee Blakley]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10601</guid>

					<description><![CDATA[<p>"Nashville" é longo, ambicioso e, mesmo não sendo livre de falhas, muito interessante.</p>
<p>O post <a href="https://cinegrandiose.com/2021/04/11/nashville-analise-e-impressoes/">Nashville: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10601</post-id>	</item>
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		<title>Blizna (A Cicatriz): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2021/03/07/blizna-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=blizna-analise-e-impressoes</link>
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		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 07 Mar 2021 18:09:26 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1976]]></category>
		<category><![CDATA[60]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Franciszek Pieczka]]></category>
		<category><![CDATA[Halina Winiarska]]></category>
		<category><![CDATA[Joanna Orzeszkowska]]></category>
		<category><![CDATA[Krzysztof Kieslowski]]></category>
		<category><![CDATA[Mariusz Dmochowski]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10572</guid>

					<description><![CDATA[<p>"A Cicatriz" é um filme morno para a estréia de um diretor tão competente.</p>
<p>O post <a href="https://cinegrandiose.com/2021/03/07/blizna-analise-e-impressoes/">Blizna (A Cicatriz): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10572</post-id>	</item>
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		<title>Close Encounters of the Third Kind (Contatos Imediatos do Terceiro Grau): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/06/19/close-encounters-of-the-third-kind-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=close-encounters-of-the-third-kind-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/06/19/close-encounters-of-the-third-kind-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 19 Jun 2020 07:24:29 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1977]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[François Truffaut]]></category>
		<category><![CDATA[Melinda Dillon]]></category>
		<category><![CDATA[Richard Dreyfuss]]></category>
		<category><![CDATA[Sci-Fi]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Teri Garr]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10092</guid>

					<description><![CDATA[<p>Dos filmes de ET de Spielberg, "Close Encounters of the Third Kind" é o que merece sua atenção.</p>
<p>O post <a href="https://cinegrandiose.com/2020/06/19/close-encounters-of-the-third-kind-analise-e-impressoes/">Close Encounters of the Third Kind (Contatos Imediatos do Terceiro Grau): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10092</post-id>	</item>
		<item>
		<title>Jaws 2 (Tubarão 2): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/05/19/jaws-2-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jaws-2-analise-e-impressoes</link>
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		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Wed, 20 May 2020 01:29:54 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1978]]></category>
		<category><![CDATA[55]]></category>
		<category><![CDATA[Jeannot Szwarc]]></category>
		<category><![CDATA[Joseph Mascolo]]></category>
		<category><![CDATA[Lorraine Gary]]></category>
		<category><![CDATA[Murray Hamilton]]></category>
		<category><![CDATA[Roy Scheider]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9960</guid>

					<description><![CDATA[<p>"Jaws 2" é bem inferior ao original e, surpreendentemente, bem superior ao que veio depois.</p>
<p>O post <a href="https://cinegrandiose.com/2020/05/19/jaws-2-analise-e-impressoes/">Jaws 2 (Tubarão 2): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9960</post-id>	</item>
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		<title>Jaws (Tubarão): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/05/18/jaws-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jaws-analise-e-impressoes</link>
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		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 19 May 2020 01:23:13 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1970]]></category>
		<category><![CDATA[1975]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Lorraine Gary]]></category>
		<category><![CDATA[Richard Dreyfuss]]></category>
		<category><![CDATA[Robert Shaw]]></category>
		<category><![CDATA[Roy Scheider]]></category>
		<category><![CDATA[Steven Spielberg]]></category>
		<category><![CDATA[Suspense]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9959</guid>

					<description><![CDATA[<p>Um tremendo de um clássico, "Jaws", o blockbuster original, se mantém relevante diante de décadas de inúmeros outros que seguiram.</p>
<p>O post <a href="https://cinegrandiose.com/2020/05/18/jaws-analise-e-impressoes/">Jaws (Tubarão): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9959</post-id>	</item>
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