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	<title>Arquivos Década de 1960 &#8211; Cine Grandiose</title>
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	<title>Arquivos Década de 1960 &#8211; Cine Grandiose</title>
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		<title>Dr. No (007 Contra o Satânico Dr. No): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2023/10/04/dr-no-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dr-no-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2023/10/04/dr-no-analise-e-impressoes/#comments</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 05 Oct 2023 01:03:01 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1962]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Bernard Lee]]></category>
		<category><![CDATA[Jack Ford]]></category>
		<category><![CDATA[Joseph Wiseman]]></category>
		<category><![CDATA[Sean Connery]]></category>
		<category><![CDATA[Terence Young]]></category>
		<category><![CDATA[Ursula Andress]]></category>
		<guid isPermaLink="false">https://cinegrandiose.com/?p=11215</guid>

					<description><![CDATA[<p>"Dr. No" é o começo de uma longa e clássica série de filmes. Não o melhor, ainda tem muitas qualidades que garantiram um futuro de sucesso.</p>
<p>O post <a href="https://cinegrandiose.com/2023/10/04/dr-no-analise-e-impressoes/">Dr. No (007 Contra o Satânico Dr. No): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">11215</post-id>	</item>
		<item>
		<title>Todas as Mulheres do Mundo: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2021/09/05/todas-as-mulheres-do-mundo-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=todas-as-mulheres-do-mundo-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2021/09/05/todas-as-mulheres-do-mundo-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 05 Sep 2021 23:21:52 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1966]]></category>
		<category><![CDATA[50]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Domingos de Oliveira]]></category>
		<category><![CDATA[Flávio Migliaccio]]></category>
		<category><![CDATA[Ivan de Albuquerque]]></category>
		<category><![CDATA[Leila Diniz]]></category>
		<category><![CDATA[Paulo José]]></category>
		<category><![CDATA[Romance]]></category>
		<guid isPermaLink="false">https://cinegrandiose.com/?p=10855</guid>

					<description><![CDATA[<p>"Todas as Mulheres do Mundo" se mostra uma decepção para um dos supostos melhores filmes nacionais de todos os tempos.</p>
<p>O post <a href="https://cinegrandiose.com/2021/09/05/todas-as-mulheres-do-mundo-analise-e-impressoes/">Todas as Mulheres do Mundo: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10855</post-id>	</item>
		<item>
		<title>From Russia with Love (Moscou Contra 007): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/11/26/from-russia-with-love-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=from-russia-with-love-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/11/26/from-russia-with-love-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 26 Nov 2020 17:11:26 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1963]]></category>
		<category><![CDATA[90]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Daniela Bianchi]]></category>
		<category><![CDATA[Lotte Lenya]]></category>
		<category><![CDATA[Pedro Armendáriz]]></category>
		<category><![CDATA[Robert Shaw]]></category>
		<category><![CDATA[Sean Connery]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Terence Young]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10401</guid>

					<description><![CDATA[<p>Moderado em sua abordagem de espionagem, "From Russia with Love" se mantém como um dos melhores 007 de todos os tempos.</p>
<p>O post <a href="https://cinegrandiose.com/2020/11/26/from-russia-with-love-analise-e-impressoes/">From Russia with Love (Moscou Contra 007): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10401</post-id>	</item>
		<item>
		<title>Yôjinbô (Yojimbo, o Guarda-Costas): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/07/20/yojinbo-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=yojinbo-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/07/20/yojinbo-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Mon, 20 Jul 2020 05:06:07 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Ação]]></category>
		<category><![CDATA[Akira Kurosawa]]></category>
		<category><![CDATA[Daisuke Katô]]></category>
		<category><![CDATA[Eijirô Tôno]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Tatsuya Nakadai]]></category>
		<category><![CDATA[Toshirô Mifune]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10189</guid>

					<description><![CDATA[<p>Talvez um pouco menos incrível que sua reputação, "Yôjinbô" ainda concentra sucessos dignos do título de clássico.</p>
<p>O post <a href="https://cinegrandiose.com/2020/07/20/yojinbo-analise-e-impressoes/">Yôjinbô (Yojimbo, o Guarda-Costas): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">10189</post-id>	</item>
		<item>
		<title>Hombre: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/06/05/hombre-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hombre-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/06/05/hombre-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 05 Jun 2020 10:05:26 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1967]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Faroeste]]></category>
		<category><![CDATA[Fredric March]]></category>
		<category><![CDATA[Martin Balsam]]></category>
		<category><![CDATA[Martin Ritt]]></category>
		<category><![CDATA[Paul Newman]]></category>
		<category><![CDATA[Richard Boone]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=10058</guid>

					<description><![CDATA[<p>"Hombre" é um faroeste revisionista surpreendentemente original com os toques de cinismo e realismo tornando sua desconstrução tão mais interessante.</p>
<p>O post <a href="https://cinegrandiose.com/2020/06/05/hombre-analise-e-impressoes/">Hombre: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">10058</post-id>	</item>
		<item>
		<title>Two for the Road (Um Caminho para Dois): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2020/04/06/two-for-the-road-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=two-for-the-road-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2020/04/06/two-for-the-road-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 07 Apr 2020 02:00:19 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1967]]></category>
		<category><![CDATA[75]]></category>
		<category><![CDATA[Albert Finney]]></category>
		<category><![CDATA[Audrey Hepburn]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Eleanor Bron]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Stanley Donen]]></category>
		<category><![CDATA[William Daniels]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9833</guid>

					<description><![CDATA[<p>Um dos últimos papéis de Audrey Hepburn, "Two for the Road" traz uma variação bem-vinda à sua carreira como princesinha do cinema.</p>
<p>O post <a href="https://cinegrandiose.com/2020/04/06/two-for-the-road-analise-e-impressoes/">Two for the Road (Um Caminho para Dois): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9833</post-id>	</item>
		<item>
		<title>West Side Story (Amor, Sublime Amor): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/12/03/west-side-story-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=west-side-story-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/12/03/west-side-story-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Tue, 03 Dec 2019 09:21:09 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1961]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[George Chakiris]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[Musical]]></category>
		<category><![CDATA[Natalie Wood]]></category>
		<category><![CDATA[Richard Beymer]]></category>
		<category><![CDATA[Rita Moreno]]></category>
		<category><![CDATA[Robert Wise]]></category>
		<category><![CDATA[Russ Tamblyn]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9413</guid>

					<description><![CDATA[<p>Um dos gigantes do gênero Musical e do cinema americano como um todo, "West Side Story" é uma maravilha técnica de música e dinamismo.</p>
<p>O post <a href="https://cinegrandiose.com/2019/12/03/west-side-story-analise-e-impressoes/">West Side Story (Amor, Sublime Amor): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9413</post-id>	</item>
		<item>
		<title>Hush&#8230;Hush, Sweet Charlotte (Com a Maldade na Alma): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/10/03/hush-hush-sweet-charlotte-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=hush-hush-sweet-charlotte-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/10/03/hush-hush-sweet-charlotte-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Thu, 03 Oct 2019 06:44:00 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1964]]></category>
		<category><![CDATA[80]]></category>
		<category><![CDATA[Agnes Moorehead]]></category>
		<category><![CDATA[Bette Davis]]></category>
		<category><![CDATA[Cecil Kellaway]]></category>
		<category><![CDATA[Joseph Cotten]]></category>
		<category><![CDATA[Olivia de Havilland]]></category>
		<category><![CDATA[Robert Aldrich]]></category>
		<category><![CDATA[Suspense]]></category>
		<category><![CDATA[Terror]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9256</guid>

					<description><![CDATA[<p>Mesmo sendo um suposto reaproveitamento do conceito de "Baby Jane", esta é a obra superior.</p>
<p>O post <a href="https://cinegrandiose.com/2019/10/03/hush-hush-sweet-charlotte-analise-e-impressoes/">Hush&#8230;Hush, Sweet Charlotte (Com a Maldade na Alma): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9256</post-id>	</item>
		<item>
		<title>Guess Who&#8217;s Coming to Dinner (Adivinhe Quem Vem Para Jantar): Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/09/26/guess-whos-coming-to-dinner-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=guess-whos-coming-to-dinner-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/09/26/guess-whos-coming-to-dinner-analise-e-impressoes/#comments</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Fri, 27 Sep 2019 00:46:55 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1967]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Cecil Kellaway]]></category>
		<category><![CDATA[Comédia]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Katharine Hepburn]]></category>
		<category><![CDATA[Katharine Houghton]]></category>
		<category><![CDATA[Sidney Poitier]]></category>
		<category><![CDATA[Spencer Tracy]]></category>
		<category><![CDATA[Stanley Kramer]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9226</guid>

					<description><![CDATA[<p>"Guess Who's Coming to Dinner" foi uma obra importante em seu tempo, ainda é e permanece competente, acima de tudo.</p>
<p>O post <a href="https://cinegrandiose.com/2019/09/26/guess-whos-coming-to-dinner-analise-e-impressoes/">Guess Who&#8217;s Coming to Dinner (Adivinhe Quem Vem Para Jantar): Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9226</post-id>	</item>
		<item>
		<title>Lolita: Análise e Impressões</title>
		<link>https://cinegrandiose.com/2019/08/18/lolita-analise-e-impressoes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lolita-analise-e-impressoes</link>
					<comments>https://cinegrandiose.com/2019/08/18/lolita-analise-e-impressoes/#respond</comments>
		
		<dc:creator><![CDATA[Caio Bogoni]]></dc:creator>
		<pubDate>Sun, 18 Aug 2019 16:29:19 +0000</pubDate>
				<category><![CDATA[Análises]]></category>
		<category><![CDATA[Análises Cinema]]></category>
		<category><![CDATA[Década de 1960]]></category>
		<category><![CDATA[1962]]></category>
		<category><![CDATA[85]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[James Mason]]></category>
		<category><![CDATA[Peter Sellers]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[Shelley Winters]]></category>
		<category><![CDATA[Stanley Kubrick]]></category>
		<category><![CDATA[Sue Lyon]]></category>
		<guid isPermaLink="false">http://cinegrandiose.com/?p=9104</guid>

					<description><![CDATA[<p>"Lolita" pode até ter sofrido cortes com a censura, mas isso não impede que a sugestão e os conteúdos mais importantes sejam afetados. Ainda é um grande filme.</p>
<p>O post <a href="https://cinegrandiose.com/2019/08/18/lolita-analise-e-impressoes/">Lolita: Análise e Impressões</a> apareceu primeiro em <a href="https://cinegrandiose.com">Cine Grandiose</a>.</p>
]]></description>
		
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		<post-id xmlns="com-wordpress:feed-additions:1">9104</post-id>	</item>
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